anthony green composer

This work was commissioned by … 1984) (composer, performer, social justice) includes musical and visual creations, interpretations of original works or works in the repertoire, collaborations, educational outreach, and more. Composition Seminar – Anthony Green, composer (Zoom) Back to Event Listing. Premiered byMegan Buness, March 2016, subsequent performances by Amanda DeBoer Bartlett, Verbinding ~ 32 apophthegms inspired by the Goldberg Variations (2015) – altosaxophone, piano : 13m; commissioned by Neal Posthma, premiered at the WorldSax Open 2015, Strasbourg, France, July 2015, by Neal Postma and AnthonyGreen; second performance at International Saxophone Symposium, Winchester,VA, January 2016, t(h)rees (2015) – alto trombone, tenor trombone, tuba : 6m45s; premiered at theDruskomanija 2015 festival in Vilnius and Druskininkai, Lithuania, for the BrassyVuvuzela concerts, [(s)(w)(2e)] / [(j)-(m)(b)] / [(f)(t)(c)] (Scintillation III) (2015) – bass-clarinet, marimba :11m; commissioned by Transient Canvas, premiered at Third Life Studios’ OpenSound (Somerville, MA), April 2015, Fanatic (2015) – solo piano : 8m30s; commissioned by pianist Amanda Setlik,premiered at CU Boulder, April 2015; second performance by Hayk Melikyan inYerevan, Armenia, March 2016; subsequent performances in Italy, Greece, andthe US by Eunmi Ko, … heen en weer … (2015) – string trio : 13m30s; commissioned by SoundEnergy, premiered at Clark University (Worcester, MA), March 2015; selected forEXPLORE! Free admission to observe. 24 - 27 JULY 2019 . As a composer, his works have been presented in over 20 countries by Gabriela Díaz (violin), Wendy Richman (viola), Ashleigh Gordon (viola), Gregory Williams (viola), Hayk Melikyan (piano), Eunmi Ko (piano), Amanda DeBoer Bartlett (soprano), ALEA III (conducted by Gunther Schuller), The Playground Ensemble, Transient Canvas, Ossia New Music Ensemble, Access Contemporary Music, counter)induction, BLY, NOISE-BRIDGE, Tenth Intervention, Chartreuse, and Alarm Will Sound, to name a few. 1984) includes musical and visual creations, interpretations of original, contemporary, and repertoire works, collaborations, educational outreach, and more. His solo and colaborative work has been recognized by grants from Meet the Composer, the Argosy Foundation, New Music USA, and the American Composers Forum as a McKnight Visiting Composer. Behind all of his artistic endeavors are the ideals of equality and freedom, which manifest themselves in diverse ways in a composition, a … or fill out the form HERE Skype/Vimeo/SoundCloud: … We'll play it, as long as we love it. Composer Anthony Green (http://www.anthonyrgreen.com/) speaks about his experience working with Verdant Vibes. Weightless for alto saxophone and piano by Anthony R. Green (2011) Duration: 8’ Recording: Soundcloud (premiere performance) Video: YouTube Purchase: Composer’s Website. Version for cello andharp (2014) commissioned by the Providence Premieres Festival, May/June 2014.Version for viola and piano (2016) commissioned by Castle of our Skins, for aperformance in June 2016 (Chicago), 3 Quotes of Shakespeare (2010) – soprano and piano : 3m; premiered by CourtneySherman (soprano) and David Severtson (piano) during the debut concert of a verysmall consortium. Thibault makes the most of restricted means, and gives Dubois’s jagged, multi-character text (wich culminates in a meeting of Stalin and Santa Claus) a surprisingly lyrical form. You are here. Anthony Edwards (Dr Greene dans Urgences) de retour dans Zero Hour ! 1984) holds a B.mus from Boston University, and a M.mus from New England Conservatory. SoundCloud or Vimeo, or use the icons onleft side panel ), I get awfully lonely when I'm ignored ... – violin, piano, and objects : 20 - 30m; commissionedand premiered by Tenth Intervention (Hajnal Pivnick, violin; Adam Tendler, piano), Piano Concerto: Solution – a concerto for piano & percussion orchestra (5 players)(2019) – 15m; commissioned by Robert McCormick for the McCormick Percussion Groupand soloist Eunmi Ko (piano), Movements in Movement & Sound (2019) – solo vibraphone and objects : 15 - 20m;commissioned and premiered by Bill Solomon, Conduct thy footsteps ... (2019) – voice, clarinets, objects : 20 - 40m; commissionedand premiered by NOISE-BRIDGE (Christie Finn, soprano; Felix Behringer, clarinets), S L E E P (2019) – a sci-fi chamber opera : 17m; featured in the Oper’Actuel 2019 Worksin Progress Workshop sponsored by Chants Libre, Montréal, Canada, His Mind & What He Heard in Central Park in the Late 90s (2018) – solo voice : 6 - 8m; composedfor Anna Elder and the 2019 Conference on Music and Erotics, Empathy I: Diamond Reynolds (2017) – solo voice : varying lengths; commissionedby the Voic(ed) Project. (2015) – flute, viola, cello, optional tenor and spoken word performer(text by Amber Rose Johnson) : 30m; commissioned and premiered by Castle of our Skinsat the African American Meeting House in Boston, MA, June 2015; subsequentperformance by Castle of our Skins in Gettysburg, PA, November 2016, and the AtlantaContemporary Ensemble (first movement only, with dance), Catalpa (2014) – piano trio : 7m15s; featured in and recorded at the InternationalComposers Workshop, St. Patrick’s College Drumcondra, Dublin, Ireland, by The FidelioTrio, February 2015; official world premiere by Verdant Vibes, Providence, RI,December 2015, on/Zeker (2012) – solo violin : 10m; premiered by Marcin Arendt for a workshop withthe JACK Quartet; recorded by Hajnal Pivnick during a workshop in Boston, May 2014, 3 Vignettes of Job ~ a multimedia exploration (2011) - mixed ensemble, improvensemble, open ensemble, actors, live electronics, fixed media audio, video, and all-in-oneactor/dancer/improvisation artist/singer as Job, text by various authors : 90m; funded bythe ATLAS Fellowship and a residency at the Kimmel Harding Nelson Center for the Arts, … on top of a frosted hill … (2011) – cello and piano : 13m; premiered by RebeccaHartka (cello) and Pei-yeh Tsai (piano); subsequent performances by Mathieu D’Ordine(cello) and Anthony Green (piano) in Colorado and San Francisco. Subsequent performances during the Manchester New Music MiniFestival, February 2013, the North American Saxophone Alliance Conference, March2014, and the World Sax Open 2015, July 2015; recipient of Honorable Mention inthe ASCAP Morton Gould Awards, 2 Letters of Queen Marguerite (2011) – soprano & piano, text by Marguerite de Valois,translated by Liselotte Dieckmann : 8m; commissioned by Ms. Emily Sinclair, performedat CU Boulder, March 2012, Refraction Aberrance (2010) – cello and ensemble of piano, harp, guitar (or anycombination) : 12m; premiered by Mathieu D’Ordine (cello), Anthony Green (piano), andMorgan Black (harp) at CU Boulder, December 2010, The Gettysburg Address (2010) – soprano, clarinet/bass clarinet, cello, percussion, piano,text by Abraham Lincoln : 12m; commissioned by The Playground Ensemble, premieresin Boulder and Denver, CO, April and May 2010; featured on their debut CD Dreams GoThrough Me, Encomium (2009) – SATB saxophone quartet : 5 – 7m; commissioned by the FlatironSaxes 4, premiered at the North American Saxophone Alliance conference in New Mexico,March 2010; subsequent performances at CU Boulder, April 2010; published in the2011 Anthology of Contemporary Concert Music, Scintillation II (2008) – viola and cello : 7 – 10m; commissioned by violist Ashleigh Gordonand cellist Ginevra Ventra, premiered in Boston, November 2008; subsequent performancesat ic[cm] 2010 in La Coruña, Spain by members of Grupo International Siglo XX, and recitalsat Queens College with Gregory Williams (viola) and Jenna Girone-Virgilio (cello), in NewYork City, and at the Lilypad with Ashleigh Gordon (viola) and Rob Mayes (cello); recipientof Honorable Mention in the Earplay Donald Aird Memorial Composition Competition, 3 Groups (2008) – chamber orchestra : 7 – 9m; premiered by Ossia New Music Ensembleas the winner of their Second Annual International Composition Prize, March 2009; recordedand workshopped by Alarm Will Sound, October 2008, SonikaChenzì (2007) – solo guitar : 8m; commissioned by Leo McFadden, performed atBoston University and New England Conservatory, October 2007 and April 2008, Nicht Zart II: Hommage à Scelsi (2007) – contrabass and piano : 7m; premiered by membersof the Callithumpian Consort in a masterclass with Walter Zimmermann, during the SummerInstitute of Contemporary Performance Practice (SICPP) 2007; subsequent performances byDavid Goodchild (contrabass) and Anthony Green (piano), and Łukasz Kłusek (contrabass) andArt-Oliver Simon (piano) in Leipzig and Dresden, Germany, as part of their “Works of theYoung Generation” project; published by Art-Oliver Simon Verlag, Kid Gunner Brother (2019) – 3m; recording of a performance of this work byDarian Thomas, during a residency at the Gettysburg National Military Park,sponsored by the National Park Arts Foundation. or fill out the form below. Video featured on I Care IfYou Listen ; screened during the exhibition A Word of Warning at SpikeGallery in Berlin, Hover (2018) – 9m30s; film to accompany the premiere of Hover (2014) for openensemble. As a performer, he has appeared at venues in the US, Cyprus, France, the Netherlands, the UK, Israel, Germany, Switzerland, Turkey, and South Korea, working with student and emerging composers, as well as established composers such as David Liptak, Renée C. Baker, Steve Reich, and George Crumb. Subsequentperformances of selections at Jordan Hall (Rebekah Alexander, soprano), EastmanSchool of Music, Longy School of Music, and others, Sonnet LXXXI (2006) – soprano, piano, text by composer : 4m45s; premiered byMarissa Joy Clark (soprano) and Anthony Green (piano); repeat performances byYael Handelman, Emily Belastock, Madeline Edwards (with Qiao Zheng Goh, piano),Lori Celeste Hicks (with Marvin Mills, piano), and Iris Brill (within Alex in Transition).Song appears with slightly different words in the opera Alex in Transition, TransitionII: Alex & Amy, Chance (2004/2007) – string quartet : 7m; winner of the Honors Ensemblecompetition at New England Conservatory; premiered by the Laurel String Quartet(now separated); subsequent performances by the Providence String Quartet (venuesin Rhode Island and Massachusetts), the Eppes String Quartet (venues in Florida), thePlayground Ensemble (venues in Denver), the Apple Hill Chamber Players (venuesNew England and elsewhere), the Zukovsky String Quartet (Symphony Space, NewYork City), members of The Orchestra Unleashed (El Portal Theater, NorthHollywood, CA), Castle of our Skins (Phillips Collection, Washington D.C.), etc …. 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